英超赛程

the 1990s, have springboarded their creative explorations from local historical and cultural contexts, as well as individual life experiences. In their art, they have referenced such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
M88.COMIn Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。等三角点,百岳排名第54,属玉山国家公园最北端的山峰,同时是台湾高山八秀之一。



新人一问..........
前几天在钓具行购买一支全新GAMAKA pc-nh/article?mid=597&prev=52&next=596

是用哪种相机拍的?  border="0" />
↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
好像梦境一样不真实,是全面启动的感 觉来著。 src="3890/14884647887_872df7c56f.jpg"   border="0" />

打开包装,馥贵春也没让我们失望,透著自然起司颜色的重乳酪蛋糕,和上头漂亮的巧克力拉花,让我们一家四口加上小姨子忍不住提前过中秋,把馥贵春重乳酪蛋糕一口气就吃光了。是广式月饼和绿豆椪,今年还真想吃能够美味和健康兼顾的中秋美食。 鲑鱼千层麵 【材 料】

A.千层麵皮 4片 烟燻鲑鱼 150g 奶油酱 150g 披萨起司丝 50g B.奶油 3汤匙 麵粉 6汤匙 鸡高汤 150cc 鲜奶油 150cc 披萨起司丝 少许 盐 少许 胡椒 少许

这是2006年3月的行脚

南投县最深入中央山脉主脊的两条林道, 许多个案会问我:如何可以持久?

当然,许多药物都是不错的选择。但是,如果你不想依赖药物或手术的风险,你可以选择最自然、安全、无副作用的自我训练方式,这项训练最重要的是你要有心的「自我练习」,如此一来就不需要要靠辅助品。

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↑竹东萧如松故居建筑群
date:August 20 2011
如果房子有这样的阳台和两张这样的椅子,









前天因为去宝山被鱼欺负了一下午~~~~

好不容易钓到~~~~~大隻的~~~~尽然没抓好让他跑了..........残念

勿自行加
↑竹东萧如松故居建筑群
date:August 20 2011
体验木头的温度。 薄情舘馆主有一点像非凡公子,还有养鸟
我忘ㄌ非凡公子不知有领便当无 散落的珍珠
似花儿的眼泪


















n Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本,呈现出当代艺术的样貌,由今看古或以古鑑今,或是隐喻或是讽刺。 四楼
一个的陌生的楼层
一个无人烟的楼层
一个不存在的楼层

午夜十二点

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